BLOOMINGTON, Ill.— The Illinois Wesleyan School of Theatre Arts will present 12 Ophelias (a play with broken songs) by Obie Award-winning playwright Caridad Svich, an atypical piece involving music,
choreographed pieces, fights and even actual pools of water onstage. The play is recommended for mature audiences.
The production, directed by Dani Snyder-Young, assistant professor of Theatre Arts/History
and Theory and head of the Bachelor of Arts in Theatre Arts program, will open on
Tuesday, Feb. 11 at 8 p.m. in McPherson with evening performances running through
Feb. 15 and one matinee performance on Sunday, Feb. 16 at 2 p.m.
The theatre department has also invited the campus community to take part in an open
Q&A with Svich on Wednesday, Feb. 12 at 3:40 p.m. in McPherson Theatre (2 Ames Plaza
According to technical director Armie Thompson, no production has made a literal splash
on the McPherson stage in nearly 15 years.
“We will definitely need to choreograph towels and dry sets of clothing into some
moments during technical rehearsals. We are very psyched to find out how it will all
work – it’s a continual work in progress,” said Snyder-Young.
Many of the actors profess that they were fully aware of what they would be getting
into, however they have not allowed their reservations to keep them from rising up
to the challenge.
“I have to admit that all of the elements overwhelmed me at the beginning of the process,
but I knew it wouldn’t work if I held back,” said junior Sarah Menke, the actress
who plays Ophelia. “I have to conquer my fears every night we run the show.”
Svich asks her audience to imagine a world where Hamlet is only “the before” – the beginning of another journey for Shakespeare’s characters.
In Ophelia’s case, “To thine own self be true” is not merely a platitude in 12 Ophelias – it will become her new way of life.
“In Svich’s play, the characters from Hamlet are as they were – and yet they are not,” said Snyder-Young. “Ophelia in Hamlet is the pawn of powerful men, and she is used by King Claudius and her father Polonius
in their political maneuverings. Ultimately, that drives her mad. In this play, she
is reborn. Ophelia’s journey involves becoming an agent of her own fate – to stop
being an object, and start being a subject.”
The Hamlet character in Ophelias goes by the name “Rude Boy” – a title that Snyder-Young says many of her students
have had no problem relating to.
“Many of us have had the experience of being in a bad relationship we couldn’t see
past at the time,” said senior Kayla White, who plays Gertrude, Ophelia’s mentor.
Snyder-Young’s decision to direct 12 Ophelias was a gradual one that was inspired by classroom discussions throughout nearly six
years of teaching at Illinois Wesleyan. She observed that the majority of her students
are females between the ages of 18 and 22, and conversations about sexuality and social
expectations seem to surface often.
“My students are trying to find out who they are as opposed to who everyone else wants
them to be, and part of that journey deals with sexuality and ownership of your body
and how to have respect for yourself,” said Snyder-Young.
Once she pinpointed the issues she wanted to address, Snyder-Young decided to use
her strengths in applied theatre – theatre in service of community building, education
or conflict negotiation – to bring 12 Ophelias to Illinois Wesleyan.
“It is my hope that this show serves as an intervention in a set of discourses asking
students to think critically about how they relate to their bodies, how they own their
desires and take responsibility for their actions,” said Snyder-Young.
12 Ophelias Set Designer Curtis Trout and his associate Sydney Achler '15 present their design model in front of the working set
on the McPherson stage.
Svich’s inseparable duo “R” and “G” – adapted versions of Shakespeare’s Rosencrantz
and Guildenstern – serve as a bit of comic relief in Ophelias. Actors and Elaina Henderson (R) and Zach Wagner (G) said it was “nearly perfect
casting” and an already rich personal relationship that formed their characterization.
“We first found R and G in a rehearsal when we did a movement exercise involving weight
exchange, leaning and relying on each other. That’s exactly how the chemistry between
our characters works,” said Wagner.
Some of the actors expressed ways in which they used Shakespeare’s original characters
to build their own new characters in this adaptation. Ben Mulgrew, who plays Rude
Boy, said that there are moments where he can really draw a lot of material from Hamlet’s
seemingly numb exterior.
Like Hamlet, Svich’s play is written in verse, but this type of meter breaks all the rules of
the classics. Snyder-Young describes moments working with her student actors on the
modern verse text of the play where uncovering meaning can sometimes be challenging.
When they discover what a situation from the text actually means in a context they
can relate to, one of the students will inevitably comment, “Oh, that’s real!”
Snyder-Young suggests that perhaps 12 Ophelias feels so real because it reflects situations students play out in everyday life.
As a professor, she sees things from a totally different perspective.
“I look at the relationships and moments in the play through the rearview mirror –
I haven’t known any ‘Rude Boys’ for at least the last decade – but these issues are
impacting my student collaborators in a very immediate way,” said Snyder-Young.
As the project comes full-circle, Snyder-Young couldn’t be more pleased with the outcome,
and the students could not be more eager to tell this story.
“The cast has been incredibly supportive in taking care of each other through difficult
and challenging moments. I am very impressed with the students overall,” said Snyder-Young.
Tickets for 12 Ophelias are available for purchase at the McPherson Theatre Box Office. On Tuesday-Thursday
and Sunday, General admission is $10, and $12 on Friday and Saturday. Student tickets
are $2 with a valid school ID, and seniors receive a $1 discount.
For additional information or to reserve tickets, contact the McPherson Theatre Box
Office at (309) 556-3232 or visit the website at www.iwu.edu/theatre.