BLOOMINGTON, Ill.— To pen her most recent music composition, Illinois Wesleyan University
music major Madz Negro ’16 (New Berlin, Ill.) camped without electricity inside Denali
National Park, then flew by bush plane to a remote mining camp near Alaska’s Yukon
The wilderness experiences were part of the 2014 Composing in the Wilderness field course. Negro and eight other composers spent over a week in the backcountry
of two remote national parks in Alaska. Faculty musicians of the Fairbanks Summer
Arts Festival then perform the composers’ new pieces. Now in its third year, the program
is a joint venture between Alaska Geographic, Denali National Park, Yukon-Charley
Rivers National Preserve and the Fairbanks festival. Negro learned about the program
from Fern Rosetta Sherff Professor of Composition and Theory David Vayo.
Negro, who is also majoring in environmental studies-ecology, said the experience combined her two deepest loves: music and the earth.
“When I backpack, kayak, hike, run or do anything in nature, I hear so much,” said
Negro, who said she spent a large portion of her life growing up in Alaska. “Life
cyles, animals communicating, water, landscape contours – all of that can be interpreted
as the music or hum of the earth.”
Negro wrote the piece over four days. She said the annual thawing of permafrost in
Denali originally inspired her to create the work for violin, viola and piano.
“When the small, frozen wood frogs come back to life, they exchange sparse chirps
to one another that convey a hopeful sound of the oncoming warmth,” she said.
“However, the permafrost temperature over time is drastically increasing, causing
the permafrost to rapidly decrease, the land to become unglued, and vegetation to
crawl farther up on the mountainsides.
“Being in this raw, changing and terribly beautiful land of Alaska sparked something
deep and essential in my soul to create this piece of music,” she added.