School of Music

Mario Pelusi, Ph.D.

Mario PelusiProfessor of Composition and Theory

B.M., M.M., University of Southern California; M.F.A., Ph.D., Princeton University


Mario J. Pelusi, Professor of Composition and Theory and former Director of the School of Music (1998 - 2018), is a composer, theorist, conductor, and pianist. He has composed numerous chamber and orchestral works, many of which were commissioned and performed by some of this country's most accomplished ensembles; e.g., the New York New Music Ensemble, Fifth House Ensemble, the Colorado Quartet, the Pittsburgh New Music Ensemble, the Pro Arte Quartet, and the Pro Musica Chamber Orchestra of Columbus. His music has been performed throughout the United States, Canada, and Germany and has been recorded on the Crystal Records label. He is the recipient of numerous grants, prizes, and fellowships from a variety of sources; e.g., the American Academy and Institute of Arts and Letters, the American Music Center, the American Society of Composers, Authors and Publishers (ASCAP), the National Endowment for the Humanities, and the New Jersey State Council on the Arts, and he has been a guest composer at eight universities in the United States and at one in Italy. With respect to administrative work, he served as a chair or as a director at four institutions for a total of thirty-one years.  Pelusi has been an active member of a large number of professional organizations, including The Association of Illinois Music Schools, for which he served as Vice President and President; The College Music Society, for which he served on the Program Committee for the 2014 National Conference, for which he serves currently as a member of the Academic Leadership and Administration Committee, and for which he serves on the Editorial Board for The College Music Symposium; The National Association of Schools of Music, for which he served as Chair of Region 4 (Illinois, Iowa, Minnesota, and Wisconsin) and as a member of the Board of Directors, and for which he serves currently as a Visiting Evaluator; Phi Kappa Phi; and Pi Kappa Lambda, for which he served as the National President and for which he is currently a member of the Board of Regents. He also serves as an independent consultant to collegiate-level music programs. Additionally, he has served as a member of the Performance/Composition Specialist Review Committee for the Fulbright Scholar Program, and since 2007, he has served as an adjudicator for the Illinois Music Education Association's Composition Contest.

In the 1970's, Pelusi was active in the commercial music industry in Hollywood, California as both a jazz musician and composer of film and television music; since that time, he has composed mainly concert music. Also a conductor, Pelusi has conducted professional and student ensembles in the premieres of his own works and of works by other contemporary composers, and since 2000, he has served as Conductor-in-Residence in support of IWU's new music activities.

Pelusi holds the M.F.A. and Ph.D. degrees in composition from Princeton University, where his principal composition teachers were Milton Babbitt and Edward T. Cone, and the B.M. and M.M. degrees in composition from the University of Southern California, where he studied composition with James Hopkins, Robert Lynn, David Raksin, and Humphrey Searle. He has held teaching positions at The Ohio State University, Reed College, the University of Southern California, the Lawrenceville School, and the Westminster Choir College and has taught courses on numerous subjects; e.g., analysis; composition; counterpoint; the creative process (as a Gateway Colloquium at IWU); electronic music; film music; jazz and popular piano styles; jazz harmony, arranging, and improvisation; jazz piano, keyboard harmony; music entrepreneurship; music history (from the baroque through the twentieth century); orchestration; theory and aural skills (all levels); twelve-tone and serial music; and twentieth-century and contemporary theory and analytical techniques. Pelusi is also the creator and director of the annual IWU Summer Music Composition Institute, which is a unique program for high school students interested in composition and which began in 2006.

In addition to his work in composition, Pelusi's research interests include music theory, music analysis, rhythm in music, music notation, the process of creativity, music and mathematics, and music and linguistics.

"I tend to think of myself as a "radical traditionalist"; in other words, I believe it is vitally important to preserve and put forth in the present the best accomplishments of our most creative musical predecessors, which I try to do in my music and in my work in the classroom, but at the same time, a composer must strive to be innovative if he or she wishes to develop a personal voice. Above all, I believe deeply that a young composer's most important objective should be the acquisition of an informed and facile technique. Also, I suppose I could be described as a "maximalist"; i.e., I find it fascinating to see to what extent I can explore and develop the various structural properties of an initial musical gesture."


A Select List of Compositions

  • A Musical Narrative for English Horn with Piano Accompaniment (2018)
  • Bebop Gestures for Ten Instruments (2018)
  • A Musical Narrative for Bass Clarinet with Piano Accompaniment (2015)
  • Concertante for Ten Instruments (2015)
  • Music for Flute: Solos from "Double Concertino for Flute and Bassoon (for woodwind quintet)" (2014)
  • A Musical Narrative in Three Movements for Unaccompanied Violin (2014)
  • Many Are Called: Settings of Nine Poems by Joyce Carol Oates (for soprano and chamber ensemble) (2013)
  • Double Concertino for Flute and Bassoon (for Woodwind Quintet) (2007)
  • Fanfare for the Common Good:  In Celebration of the Opening of the Bloomington Center for the Performing Arts (2006)
  • Concerto for Marimba and Percussion Ensemble (2006)
  • Fantasy in Three Parts for Bass Clarinet with Organ Accompaniment (2005)
  • Fantasy in Three Parts for Unaccompanied Bass Clarinet (2004)
  • Composition for Jazz Ensemble (2004)
  • Aria for Unaccompanied Viola (2003)
  • A Musical Narrative for Expanded Pierrot Ensemble (2002)
  • 9.11.2001:  Symbols and Reflections (In Memory of the Victims of 9.11.2001) (2002)
  • Trio for Flute, Clarinet, and Bassoon (2000)
  • Duo for Flute and Bassoon (2000)
  • Invention for Chamber Orchestra: B-A-C-H Recalled (2002)
  • Invention for Solo Piano: B-A-C-H Recalled (1999)
  • A Musical Narrative for Unaccompanied Violoncello (1997)
  • A Musical Narrative for String Quartet (1995)
  • Musical Narrative for Chamber Ensemble (1991)
  • A Musical Soliloquy in Three Parts for Unaccompanied Flute (1989)
  • A Musical Soliloquy in Three Parts for Unaccompanied Clarinet in Bb (1989)
  • A Musical Soliloquy in Three Parts for Unaccompanied Bassoon (1989)
  • A Musical Soliloquy in Three Parts for Unaccompanied French Horn (1989)
  • A Musical Soliloquy in Three Parts for Unaccompanied Trumpet in Bb (1989)
  • A Musical Soliloquy in Three Parts for Unaccompanied Trombone (1989)
  • A Musical Soliloquy in Three Parts for Unaccompanied Soprano Saxophone (1989)
  • A Musical Narrative for French Horn, Viola, and Chamber Ensemble (1988)
  • A Musical Narrative in Three Parts for Unaccompanied Guitar (1988)
  • Song and Music: for Soprano and Chamber Orchestra (on a text by Dante Rossetti) (1986)
  • Meditation in Four Parts for String Octet (1986)
  • Meditation No. 1 in Four Parts for Unaccompanied Flute (relatively easy) (1986)
  • Meditation No. 2 in Four Parts for Unaccompanied Flute (moderately difficult) (1986)
  • Meditation No. 3 in four parts for Unaccompanied Flute (difficult) (1986)
  • Composition for String Trio and Seven Wind Instruments (1985)
  • Composition for Two Stringed Instruments (1985)
  • Composition for Four Stringed Instruments (1985)
  • Composition for Large Orchestra (1983)
  • Three Rossetti Songs for Soprano and Chamber Orchestra (texts by Dante Rossetti) (1980)
  • Four movements for String Quartet (1979)
  • Scherzo for Four Wind Instruments (1979)
  • Concert Piece for Baritone Saxophone, Brass Quartet, and Percussion (1978)
  • Music for String Orchestra (1977)