English 280
Fall 2009
www.iwu.edu/~wchapman/PC/
| Wes Chapman English House 205 556-3090 wchapman@iwu.edu |
Office
Hours: |
Practical Criticism is an introduction to literary study, designed for English majors and minors. Because no single course can cover the wide range of interpretive strategies employed in literary criticism today, much less survey its object of study, Practical Criticism offers a systematic smorgasbord of approaches and genres, designed to meet the following goals:
Four essays (one of them in-class), a mid-term exam and a final exam are required. These will be weighted according to the following scale:
All of the tests or papers will be graded on or converted to a 0-100 scale, where 90-100 = A, 80-89 = B, 70-79 = C, 60-69 = D, and 0-59 = F. The highest three numbers in a range are equivalent to a plus grade (e.g. 87-89 = B+); the lowest three are equivalent to a minus (e.g. 90-92 = A-).
You may revise any of the essays for a higher grade if time permits. (There is nearly always time to revise the first two papers, and sometimes enough time to revise the third. The fourth, an in-class essay completed during the second hour of the final exam time, cannot be revised. ) The higher of the two grades (original or revision) will count, but any late penalties attached to the original paper will also be attached to the revision. Ordinarily, I will not write comments on revisions. Due dates for revisions will be announced when the first drafts are returned.
Attendance: No more than 4 absences for any reason, including illness and university sponsored events, are allowed. I will deal with attendance problems on a case-by-case basis, but I reserve the right to lower your final grade by 4 points for each class missed beyond the 4 course limit. Extremely poor attendance will result in a failing grade regardless of your grades on papers and exams.
Late Work will be penalized as follows. Your grade on a paper will be lowered by 3 points (out of 100) for every calendar day it is late, up to a maximum of 20 points. Because an F at, say, 50 (a mediocre paper with a 20-point late penalty) is much less damaging to a grade than a 0 for a missed paper, it is nearly always better to turn in a paper late than it is not to turn in a paper at all. Unless I announce otherwise, papers are always due in my mailbox before English House closes (around 4:30 PM, sometimes earlier) on the dates listed below.
Participation in discussion is important in this class. Although there is no separate grade rubric for participation, active and thoughtful participation in class may raise a borderline grade, while passive or disruptive participation may lower one. (A borderline grade is defined as a grade within .5 of a point of the cutoff between two grades. For example, 90 is the cutoff between B+ and A-; 89.5 - 90.5 is the borderline range between the two grades.)
Plagiarism will affect your grade in one of two ways. If you turn in a paper which is plagiarized in minor or unintentional ways (e.g. you use the language of the source you are writing about without quotes, but in only a brief passage and clearly without any intention to represent someone else's work as your own), the paper will receive an F, and we will discuss plagiarism until it is clear that you understand what it is and how to avoid it. You may be able to rewrite such a paper for a higher grade if there is enough time left in the term. However, if you turn in a paper which is plagiarized blatantly, at length or with apparent intent to deceive, you will receive an F in the course regardless of any other grades you have received, and I will file an Academic Dishonesty Report with the Associate Provost.
Literature and Its Writers is abbreviated as LAIW; Frankenstein: Case Studies and Contemporary Criticism is abbreviated F:CSCC.
M 8/24
- Introduction.
W 8/26 - Narrators and narration. Reading: Atwood, "Happy
Endings" (LAIW 42-45)
F 8/28 - "Happy Endings" continued;
genre and conventions.
M 8/31
- Story and discourse. Reading: Faulkner, "A Rose for Emily" (LAIW
143-151). Optional: Faulkner, "The Meaning of 'A Rose for Emily'" (LAIW
598-599)
W 9/2 - "Rose" continued or on to Frankenstein.
F 9/4 - Frame
narratives
and embedded narratives. Reading: Shelley, Frankenstein
M 9/7 - LABOR DAY; NO CLASS
W 9/9 - Frankenstein continued.
F 9/11 - Frankenstein continued; intertextuality. Reading: excerpts
from Paradise Lost (handout)
M 9/14 - Frankenstein continued.
W 9/16 - Frankenstein continued.
F 9/18 - catch-up day or
on to drama; basic essay format. Bring in your MLA Handbook.
M 9/21
- How poems mean. Reading: MacLeish, "Ars Poetica" (LAIW
754); Walker, "I Said to Poetry" (LAIW 759-761); Hopkins, “Pied
Beauty” (online at <http://eir.library.utoronto.ca/rpo/display/poem1047.html>;
Donne, “A Valediction: Forbidding Mourning” (987-988).
W 9/23 - Speaker and address. Reading: Browning, "My
Last Duchess" (LAIW 850-851); Arnold, "Dover
Beach" (LAIW 951); Shelley, "Ode to the West Wind" (LAIW 817-819). PAPER
1 DUE.
F 9/25 - Construing poetic diction and syntax. Reading: Alexander
Pope, excerpt from "Essay on Criticism" (called "Sound and Sense" in
LAIW, 785); "Poetic Diction" (Abrams, Glossary of Literary Terms,
269-270); continue with Shelley, "Ode to the West Wind" (LAIW 817-819).
M 9/28
- The line. Readings: "Small Fruits" (handout); "My Last Duchess" again;
Ferlinghetti, "Constantly Risking Absurdity" (LAIW 757-758) Keats, "On
First Looking into Chapman's Homer" (LAIW 860), Rich, "The Ninth Symphony
of Beethoven Understood at Last
as a Sexual Message" (handout)
W 9/30 - How meter means;
the sonnet. Readings: Blake, "The Garden of Love" (LAIW 962); all
sonnets from LAIW 825-831; Donne, "Batter My Heart, Three-Personed God" (988);
Keats, "On First Looking into Chapman's Homer" again (LAIW 860)
; Milton, "When I Consider How My Light Is Spent," on the WWW at <http://eir.library.utoronto.ca/rpo/display/poem1457.html>;
Hopkins, "Pied Beauty" again; "Meter" (Glossary of
Literary Terms 159-165); all of Shakespeare's sonnets from LAIW 1057-1059.
F 10/2 - Sonnets continued.
M 10/5
- Poetry continued.
W 10/7 - catch-up day or on to dramma.
F 10/9 - MID-TERM EXAM
M 10/12
- Differences between drama and fiction. Reading: Williams, The
Glass Menagerie (LAIW 1420-1468)
W 10/14 - Menagerie continued; externalizing internal states.
F 10/16 - FALL BREAK; NO CLASS
M 10/19
- Menagerie continued. PAPER 2 DUE
W 10/21 - Menagerie continued. "Production Notes to The Glass
Menagerie" (LAIW 1700-1702)
F 10/23 - Highway, The Rez Sisters
M 10/26
- Rez
Sisters continued.
W 10/28 - Rez Sisters continued.
Th 10/29 - S 10-31: Attend
at least one performance of The Rez Sisters at McPherson Theatre. Read
beforehand: "What to Look For in the Production" (handout)
F 10/30 - Rez Sisters continued.
M 11/2 - Rez
Sisters continued.
W 11/4 - Rez Sisters continued.
F 11/6 - catch-up day or on to critical approaches.
M 11/9
- Introduction to critical approaches; psychoanalytic criticism. Reading: F:CSCC
237-250, 262-295.
W 11/11 - Psychoanalytic criticism continued. PAPER 3 DUE
F 11/13 - Finding
secondary sources. Meet in Ames Library.
M 11/16
- Feminist criticism. Reading: F:CSCC
296-333.
W 11/18 - Feminist criticism continued.
F 11/20 - Marxist
criticism. Reading: F:CSCC
368-395.
M 11/23
- Marxist criticism continued.
W 11/25 - F 11/27 THANKSGIVING BREAK; NO CLASS
M 11/30
- Catch-up day.
W 12/2 - Catch-up
day.
F 12/4 - last day of class
W 12/9, 10:15 -12:15: FINAL EXAM/IN-CLASS ESSAY 4